home *** CD-ROM | disk | FTP | other *** search
- Louis Armstrong
-
-
- (February 21, 1949)
-
- So far as the U.S. public was concerned in the '20s, there
- were a good many other ways of playing jazz. Paul Whiteman, with
- his 30-piece band and his smooth arrangements of Tin Pan Alley
- hit tunes and minor classics (The Song of India), was "King of
- Jazz," and his music and records were far better known than the
- small-band New Orleans variety. But after Louis Armstrong
- arrived in Manhattan in 1924, and persuaded Fletcher Henderson
- to let him "open up" on his horn at Broadway's Roseland Ballroom
- one night, jazz musicians of all exciting varieties flocked to
- listen.
-
- Then came tours that took Louis to the West Coast and points
- between. He switched form cornet to trumpet (chiefly because the
- longer horn "looked better"). In 1926, when he dropped some
- lyrics on the floor during a recording session, he quickly
- substituted nonsense syllables, and added "scat-singing" to
- jazz. He had formed "Louis Armstrong and His Hot Five" (Satchmo,
- Clarinetist Johnny Dodds, Trombonist Kid Ory, Johnny St. Cyr on
- the banjo and second wife Lil Hardin Armstrong on the piano) to
- make recordings of his best numbers for Okeh. When he played
- Chicago, such youngsters as Bix Beiderbecke, Benny Goodman, Gene
- Krupa and Eddie Condon, who were to help create the "Chicago
- school" of jazz, sat and listened worshipfully. All of them now
- make their bow to Louis. Says Drummer Krupa: "No band musician
- today on any instrument, jazz, sweet, or bebop, can get through
- 32 bars without musically admitting his debt to Armstrong. Louis
- did it all, and he did it first."
-
-